Sutra 3.44
Translation By restraint (or focused attention) on the inner and middle spaces of the nose, what need is there for the left, right, or central channels?
Meaning This sutra points to a profound shortcut within the anatomy of subtle energy. Traditionally, spiritual practice involves purifying and balancing the three main nadis or energy channels: the Ida (left, lunar), the Pingala (right, solar), and the Sushumna (central, spiritual). This process is often lengthy and arduous. However, the text suggests that by applying intense, one-pointed awareness specifically to the inner and middle regions of the nasal passage—the gateway where the breath flows—one spontaneously transcends the need to manipulate these individual channels separately.
The logic here is that the nose is the physical portal where the dualistic currents of prana converge. When awareness rests deeply in the space of the breath itself, rather than chasing the specific pathways it travels, the distinction between left, right, and center dissolves. The seeker realizes that the separation of these channels is an illusion created by scattered attention. In that unified focus, the energy naturally aligns into the central channel without forceful intervention, revealing that the goal was never to fix the parts, but to recognize the whole.
Contemplation Throughout your day, whenever you notice your breath, do not attempt to control it or direct it into specific channels. Instead, gently rest your attention on the cool sensation of the air touching the inner ridge of your nostrils. Hold your awareness in that tiny, neutral space between the inhale and the exhale. Ask yourself silently: "Who is aware of this space?" Let the question dissolve any effort to balance your energy, trusting that simple, unwavering presence in the gateway of the breath is sufficient to unify your entire being.
A contemplative reading in the spirit of the Kashmir Shaivism (Trika / non-dual Tantra) tradition — an aid to reflection, not a substitute for a living teacher or the classical commentaries.